The 50 Greatest Ladies and Gentlemen is a "play" by Performance Thanatology that premiered at the Ontological-Hysteric Theatre in New York in August 2009 and was restaged at The LOFT in Baltimore in October.
In this installment of Performance Thanatology’s ongoing research in death and performance, a solitary figure performs all his old songs and dances despite the loss of his partner, the loss of his dancing shoes, and the loss of his teeth. Somewhere between Krapp’s Last Tape and Artaud’s Spurt of Blood, this is what really became of vaudeville.
If you like theatre, you will at least recognize this piece as being like theatre. It has many of the same characteristics, like music, dramatic acting, a constant threatening hum, a woman that will stare at you until you feel old, and AMAZING STUNTS of LOSS LOSS LOSS!
The Performance Thanatology is a group of artists dedicated to the advancement of a higher histrionics brought on by imminent finalities. The work of the group is gone about with great fear. Fear of death and all of its entropically related phenomena motivates the group to present themselves in an exhibition of interdisciplinary hysterics. For more info on Performance Thanatology: www.ricroyer.com
Note: This piece was originally performed in NY as a double bill with the Baltimore-based theatre company, The Missoula Oblongata. Their play was also called The 50 Greatest Ladies and Gentlemen. They are two different pieces, and this piece is not that piece.
This Performance Thanatology piece created by Ric Royer, G. Lucas Crane, Bonnie Jones, Chrissy Ferrera, David Crandall and Jackie Milad.
[photo attached, credit Yi Zhao. more photos here: http://www.yi-zhao.com/439]
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